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Welcome to the Course
Let's talk about Gear
When it comes to street photography, it’s not about having the fanciest gear—it’s about having the right gear. This course cuts through the noise and focuses on what really matters: the tools that’ll help you capture those perfect, candid moments without slowing you down.
We’ll walk you through the essentials, from camera bodies and lenses to accessories like straps, bags, and even apps that can make life easier on the street. You’ll learn how to choose gear that fits your style, your budget, and the fast-paced world of street photography.
Whether you’re working with a pro-level kit or something simpler, we’ve got tips, tricks, and gear recommendations to help you get the most out of what you have—and maybe help you decide what your next upgrade should be.
By the end, you’ll have a streamlined setup that lets you focus on what matters most: getting out there and capturing amazing shots.
The Camera
Choosing your Street Photography Camera
There’s no single “best” camera for street photography, but there are some types that fit the bill better than others. Most importantly, the right camera lets you blend in, respond quickly, and capture the scene as it unfolds, without calling attention to yourself.
Smaller Cameras: Winning at Discretion
Let’s face it: smaller cameras are less conspicuous. They don’t just make you feel lighter and more mobile—they also make you look less like a photographer on assignment and more like a curious passerby, which is exactly the vibe you want. Large DSLRs, while fantastic for sharp, high-quality images, can feel intrusive. Compact options, like mirrorless or rangefinders, help you stay under the radar and make people less aware of your presence.
A Micro Four Thirds camera like the Olympus OM-D series is perfect for this. It’s small, fast, and lightweight, with great autofocus for quick shots on the go. The Fujifilm X-series is also a favorite—especially the X100 or X-Pro models. These cameras are quiet, great in low light, and the retro design doesn’t scream “photographer,” which can really help you blend in.
Rangefinders: The Silent Heroes
Leica rangefinders are legends for a reason. Photographers like Henri Cartier-Bresson used them to capture candid moments, thanks to their almost silent operation and compact size. The downside? They can be pricey and tricky with close-range shots due to parallax issues. But if you’re in it for the experience (and the aesthetic), a Leica might just become your best friend.
Settings That Get You “The Shot”
Street photography is often about split-second decisions, so your settings need to support speed and flexibility. Here’s a quick rundown of setups that work well across different lighting and motion conditions.
Aperture, Shutter Speed, and ISO—The Holy Trinity
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Aperture: An f/8 aperture is a classic choice, especially when you want to keep most of the scene sharp. Street scenes are unpredictable, and a narrow aperture gives you a deeper field of focus. If you’re shooting at night or in lower light, a wider aperture (like f/2.8) is ideal for letting more light in.
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Shutter Speed: Keep it fast—1/125s is a good baseline for street scenes. Faster shutter speeds like 1/250s help freeze quick motion (think cyclists, runners, or bustling crowds).
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ISO: Adjust ISO based on lighting conditions. Daytime might only need ISO 200-800, but as it gets darker, don’t be afraid to crank it up. Higher ISOs create grain, but in black-and-white shots, it adds character
Zone Focusing: Anticipate and Capture
Zone focusing is an old-school trick that can take your street shots to the next level. It involves setting your focus to a specific distance—say, 3-4 feet in front of you—and using a smaller aperture like f/8. This way, you’re ready to capture whatever enters your “zone” without waiting for autofocus to lock in. Apps like PhotoPills can help calculate the perfect “zone” based on your lens and settings, making everything from halfway to infinity sharp.
Don’t Overthink the Gear
Contrary to what the camera store might tell you, you don’t need an expensive “pro” camera to do amazing street photography. Some of the best street photographers used simple, even “imperfect” cameras. Take William Klein or Daido Moriyama, for instance. They embraced blur, grain, and off-kilter compositions as part of their style. They used basic tools, but they had a unique way of seeing, which mattered far more.
If you’re just starting out, go with what you have—even if it’s a smartphone. A phone, an old point-and-shoot, or even a disposable camera can still create powerful images. What matters is how you see and interpret the world through your lens, not the brand or megapixels of your camera. Use whatever you’ve got, and lean into its quirks. Those limitations? They might just become your signature style.
Features That You Should Look For
While it’s true that gear isn’t everything, certain camera features do make street photography more practical and enjoyable:
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Silent Shooting: If your camera has a silent shutter mode, it’s a game-changer. A quiet camera lets you capture natural moments without breaking the vibe.
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Weather Sealing: Street photographers shoot rain or shine, so weather-sealed cameras are a big plus. No more panicking at the first hint of drizzle.
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Quick Controls and Customization: Cameras with customizable dials let you switch up settings fast, which is invaluable for adapting to different light conditions on the street.
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Fast Autofocus: A fast AF system with eye or face detection is helpful for street portraits or dynamic scenes. Micro Four Thirds or Fujifilm cameras are good for this, offering quick and accurate AF in compact packages.
The Lens/Lenses
Street photography is all about catching those raw, unscripted moments that capture the soul of a place. It’s not just about what you see, but how you see it, and the lens you use can make all the difference. While some photographers can make art with any lens, choosing the right one for street photography can take your experience to a new level. Let’s break down everything about lenses in street photography, from the best choices to the trade-offs involved and how to make the most of what’s in your kit.
Top Lenses for Street Photography
Street photographers tend to favor prime lenses with either wide-angle or standard focal lengths. Prime lenses (those with a fixed focal length) are generally lighter, sharper, and quicker to focus, all of which are ideal for catching fleeting street moments. Here are some of the most popular focal lengths for street shooting and what they each bring to the table.
24mm Lens: Ultra-Wide Angle
With a 24mm lens, you can capture a ton of the scene without needing to step back. It’s fantastic for super busy, crowded places. The downside? Subjects can appear small unless they’re close to the lens.
Pros:
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Great for capturing a lot of the scene, especially in tight spaces or crowds
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Forces you to get close, which can make for intimate shots
Cons:
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Distortion, especially around the edges
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Harder to isolate a subject
28mm Lens: Wide but Versatile
The 28mm lens strikes a balance between 24mm and 35mm. It’s wide enough to capture the scene but without as much distortion. For many, it’s a happy medium, working well for both close-ups and broader shots.
Pros:
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Wide without too much distortion
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Versatile for different compositions
Cons:
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Subjects can still look small if they’re not close
35mm Lens: The All-Rounder
If there’s one classic lens for street photography, it’s the 35mm. It’s a natural field of view that lets you get enough of the scene without feeling cramped. You get the best of both worlds: close-up shots and environmental scenes.
Pros:
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Feels natural, close to how we see with our own eyes
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Works well for both people and scenes
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Little distortion
Cons:
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You might need to get close to subjects, which can be intimidating for some
50mm Lens: The “Standard” View
The “nifty fifty” has a place in street photography, too. With a tighter field of view, it’s great for focusing on individual characters rather than whole scenes. It can be limiting for wide shots, but it shines in isolating people and details.
Pros:
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Isolates subjects for detail
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Lets you shoot without being right up close
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Ideal for low light with wider apertures like f/1.8 or f/1.4
Cons:
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Limited context, less background/environment
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Misses some wider candid shots
Lens Characteristics to Consider in Street Photography
Beyond focal length, other features make a lens either a dream or a challenge in street photography. Here’s what to keep in mind:
Aperture
A lens with a wide aperture (like f/1.8, f/1.4, or even f/2.8) is a huge bonus, especially when shooting in low light or when you want to blur out busy backgrounds. But if you’re after a scene with everything in sharp detail, like f/5.6 to f/11, you’ll get more context and a greater sense of depth.
Wide Aperture Pros:
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Low-light capability
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Isolates subjects with a nice, blurry background
Narrow Aperture Pros:
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Greater depth of field, so more in the frame stays sharp
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Helps with zone focusing (see below!)
Size and Weight
Street photographers are often walking around for hours, so smaller, lighter lenses are preferable. A compact lens is also less conspicuous, which means people are less likely to notice or react to you taking their photo.
Focusing Speed and Noise
Street photography is all about speed, so a lens with quick, reliable autofocus can make a big difference. Look for lenses with silent autofocus motors (common in mirrorless systems) so you can stay as low-key as possible.
Manual Focus and Zone Focusing Capability
Some street photographers prefer manual focusing using a technique called “zone focusing.” This involves setting your lens to a certain distance and a smaller aperture, keeping everything in that range in focus. It’s great for shooting in unpredictable environments, so if you’re into this style, go for a lens with a smooth focus ring.
Popular Lens Choices by Camera Systems
Different camera systems come with their own perks in the lens department. Some brands have built a solid reputation in the street photography world, while others are known for specific lenses that are perfect for the job.
Leica M Lenses
Leica has a legendary rep in street photography, especially with lenses like the Leica Summicron 35mm f/2. Leica lenses are super high-quality and very compact, but they’re also pricey. Leica rangefinders are manual-focus only, so they’re better for photographers who are comfortable with that style and don’t mind the price tag.
Fujifilm X-Series
Fujifilm’s X-series has some excellent options for street shooting, like the XF 23mm f/2 (close to a 35mm equivalent), the XF 35mm f/2, and the XF 50mm f/2. These lenses are sharp, compact, and often weather-resistant, which is great if you’re out in all kinds of weather.
Sony E-Mount Lenses
Sony’s mirrorless cameras pair nicely with lenses like the Sony FE 35mm f/1.8 or the 50mm f/1.8. Lightweight and with killer autofocus, Sony lenses are a favorite for photographers who need speed and accuracy in focus.
Tips for Using Lenses Effectively in Street Photography
Master Zone Focusing
Zone focusing is all about setting your lens to a specific distance and a smaller aperture, which keeps everything in a certain range in focus. This is a lifesaver when you need to shoot quickly without waiting for autofocus, making it a favorite technique in street photography.
Avoid Getting Hung Up on Gear
Street photography is about the moment, not the gear. While the right lens can make a difference, the best street photographers focus on the story in front of them rather than obsessing over equipment. You can do a lot with any lens once you’re comfortable with it.
Get Comfortable with Your Focal Length
Using the same lens consistently helps you get to know it well, and this familiarity makes you faster at composing shots. A 35mm lens, for example, gives you a good mix of context and subject focus, making it easier to shoot more instinctively over time.
Quick Composing Skills are Key
Street photography happens fast. The more you practice framing shots quickly, the better. A 35mm, for example, helps with quick compositions by giving you a balanced view of subject and context without overwhelming either one.
Be Low-Key
Street photography is often best when people are in their natural flow, so blending in is key. A small, unassuming lens helps people feel more relaxed around you, keeping the scene as natural as possible.
Lenses are essential in street photography because they shape not just what you see, but how you capture it. Whether you prefer a wide-angle 24mm, a classic 35mm, or a standard 50mm, remember that there’s no one perfect lens—just the one that feels right for your style. The best street photography lens is the one that lets you capture real, unscripted moments in a way that’s true to your vision.
So don’t get too hung up on finding the “perfect” lens. Experiment, get to know the quirks of each focal length, and above all, enjoy the experience of exploring the streets through your unique lens.
Accessories
When it comes to street photography, accessories may not get as much hype as the camera or lens, but the right gear can make a world of difference. From reliable bags to backup batteries, and a few unexpected extras, these items can keep you shooting comfortably and help you capture moments more effectively. Here’s a full rundown of what you might want to have in your kit, why it matters, and how to get the most out of each accessory.
Camera Bags and Backpacks
Compact Sling Bags
A sling bag is ideal for street photographers because it’s compact, lightweight, and easy to swing from back to front. Sling bags are great if you’re packing light, carrying just a single camera and a lens or two. Look for one with padded compartments to keep your gear safe, and waterproof material is a huge bonus in case of bad weather.
Popular Picks:
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Peak Design Everyday Sling: Lightweight, weather-resistant, and easy to access.
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Lowepro Slingshot: Compact and budget-friendly, with space for a camera body and small extras.
Minimalist Backpacks
If you’re carrying a bit more, a backpack is a solid choice. Go for something slim and discreet so you don’t attract too much attention, and one with quick-access zippers so you can grab your camera on the go.
Popular Picks:
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Wandrd PRVKE: Highly durable, modular, and weather-resistant.
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Think Tank StreetWalker: Has a compact profile with quick-access zippers and good padding.
Camera Straps
A comfortable, sturdy strap is essential in street photography since you’ll be carrying your camera for hours. Here are some types to consider:
Neck Straps
A classic choice, neck straps are secure and keep your camera at the ready. Look for one with padding to keep it comfortable, or even better, a strap that distributes weight.
Recommended:
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Peak Design Slide: Comfortable with a quick-adjust system.
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BlackRapid Sport: Known for durability and weight distribution.
Wrist Straps
For those who prefer a low-profile setup, a wrist strap can be a great choice. It keeps the camera secure in your hand and gives you a sense of freedom compared to neck or shoulder straps.
Recommended:
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Gordy’s Camera Straps: Handmade leather wrist straps with strong, reliable grips.
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Peak Design Cuff: Lightweight, secure, and quick to detach when you want.
Extra Batteries and Memory Cards: Don’t Get Caught Short
Street photography can be unpredictable, and the last thing you want is for your battery to die or your memory card to fill up right when something magical happens.
Batteries
A spare battery is a must. Mirrorless cameras, in particular, can go through batteries quickly due to electronic viewfinders and live screens. Aim for at least one extra if you’re out for a few hours, or more if you’re shooting all day.
Recommended:
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Official batteries from your camera’s brand are best, as they tend to last longer and perform better.
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Reliable third-party options: Wasabi and Neewer both offer dependable spares for most camera brands.
Memory Cards
It’s always smart to carry an extra memory card or two. A UHS-II card with a fast write speed is ideal if you’re shooting in bursts or recording videos. Also, consider a card wallet or case to keep everything organized and safe from the elements.
Popular Options:
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SanDisk Extreme Pro: Fast, reliable, and available in various capacities.
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Lexar Professional 2000x: Fast enough for most shooting needs and highly durable.
Filters: Polarizers, ND, and UV Filters
Filters can elevate your street photography by enhancing the look of your images and protecting your lenses.
UV Filters
UV filters are mainly for protecting your lens from scratches, dust, and dirt, which is especially useful in gritty, urban settings. The downside? Cheaper UV filters can degrade image quality, so if you choose one, go for a quality brand like B+W or Hoya.
Polarizing Filters
Polarizers are perfect for reducing reflections and making colors pop. In street photography, they can help minimize glare from windows, car windshields, or water, adding depth and contrast to your shots.
Pros:
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Cuts down on reflections and improves color saturation.
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Great for shooting through glass or minimizing harsh reflections.
ND (Neutral Density) Filters
If you want to experiment with motion blur in bright settings—think people moving, traffic, or anything dynamic—an ND filter is worth having. It reduces the amount of light entering the lens, so you can use slower shutter speeds without overexposing your shot.
Recommended Filters:
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Tiffen Variable ND: Adjustable, letting you control light levels with one filter.
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B+W Circular Polarizer: Known for high quality and minimal color shift.
Lens Cloths and Cleaning Kits: Keep Your Gear Clean
Street photography means your gear is exposed to the elements, from city dust to unexpected rain. A microfiber cloth and a small cleaning kit can save you from blurry photos caused by dirty lenses.
Essentials:
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LensPen: Quick, effective for spot cleaning without scratching.
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Giottos Rocket Air Blaster: Great for removing dust from lenses or camera sensors without direct contact.
Mini Tripods and Monopods
Most of the time, street photographers work handheld, but there are instances where a tripod or monopod can be a handy addition. For example, if you’re shooting long exposures at night or in low light, or trying to capture motion blur in a busy city scene.
Recommended:
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Joby GorillaPod: Compact, flexible, and good for uneven surfaces.
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Manfrotto PIXI Mini: Small, sturdy, and great for quick, stable shots.
Portable Flash
Most street photographers prefer natural light, but a small flash can be incredibly useful, especially for nighttime shooting or adding a pop of light to shadowed areas. Consider a portable flash that won’t weigh you down but has enough power to make a difference.
Suggested Flashes:
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Godox TT350: Compact, lightweight, and compatible with various camera brands.
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Profoto C1: Very portable and excellent for controlled lighting in small doses.
Eye Cups or Viewfinder Magnifiers
In bright daylight, LCD screens and even electronic viewfinders can be tough to see clearly. An eye cup or viewfinder magnifier helps block out light, letting you compose and focus without glare. This accessory can be particularly useful if you’re shooting in bright outdoor settings.
Options to Consider:
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Vello Eye Cup: Affordable, soft, and fits most cameras.
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Hoodman HoodEYE: Known for comfort and blocking out ambient light effectively.
Camera Rain Cover or Weather Protection
Street photographers often find themselves at the mercy of the weather, and a little rain shouldn’t be enough to send you running for cover. A camera rain cover can keep your gear dry and functional.
Recommended Covers:
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Think Tank Emergency Rain Cover: Lightweight, easy to carry, and quick to deploy.
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Op/Tech Rainsleeve: Simple, budget-friendly, and available in packs of two.
Smartphone and Apps
Your smartphone is a street photography tool all on its own. Not only is it a great backup camera, but it can also host helpful photography apps, like light meters, remote shutter release apps, and even editing software.
App Suggestions:
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Light Meter: Handy if you’re shooting film and want to gauge exposure.
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Snapseed or Lightroom Mobile: For quick edits on the go.
Personal Comfort Accessories
When you’re out shooting for hours, comfort matters. From good walking shoes to weather-appropriate clothing and a small water bottle, these seemingly minor additions can make a huge difference in your experience.
Essentials:
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A hat or sunglasses to handle sun glare
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Comfortable, weatherproof shoes
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A collapsible water bottle for hydration
Final Thoughts
Street photography doesn’t require a mountain of gear, there are a lot of street photographers that just go out with their camera and themselves, thats literally it. But having the right accessories can make your outings smoother and more productive.
Remember, accessories are there to support your work, not get in the way, so keep it light, practical, and tailored to your needs. The less time you spend fussing with gear, the more time you’ll have to chase those perfect, fleeting moments on the street.
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